colorist . consultant . lecturer . BVK . CSI . dm [at] digital-film-services.com . +49-173-278 4334 . CV as PDF . [imprint]
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UP.GRADE
I work as freelance colorist since 2005 mostly on feature films and documentaries for various production and post-production companies in Germany, Europe and occasionally world-wide.
You find a list of clients below and a list of the titles I worked on in chronological order in the section "filmography".
Besides grading I do consult on post-production workflows, building grading suites and display calibration. More information below in the section "consulting/calibration".
And for more than twenty years I have been teaching and lecturing on various topics from non-linear video editing in 1999 to digital post-production, color grading and color management. More on that in the section "workshops/lectures".
Selection of clients...
ARRI Media (Cologne/Berlin), FARBKULT (Cologne), Studio Mitte Video (Berlin/Potsdam), The Post Republic (Berlin/Hamburg/Halle), We Fade To Grey (Cologne), Ymagis/Eclair (Berlin), ORKA Film (Warsaw, Poland);
augenschein Filmproduktion (Cologne), Heimatfilm (Cologne), Komplizenfilm (Berlin), LOOKSfilm (Leipzig), Platige Image (Warsaw, Poland), Shenzhen Golden Shores Films (Beijing, China), Studio 24 (Stockholm, Sweden), Twenty Twenty Vision Filmproduktion (Berlin), Zentropa (Copenhagen, Denmark/Trollhättan, Sweden)
Congratulations to the whole team of "Goodbye Julia" by Sudanese director Mohamed Kordofani.
A very successful premiere at the Cannes International Filmfestival was topped by receiving the "Freedom Prize" in the second most prestigious section "Un Certain Regard".
My regards to the German Co-Producer Michael Henrichs who got me involved in the project from pre-production stage on. South African DP Pierre de Villiers shot the feature-length debut of director Kordofani end of 2022. The invitation to Cannes meant a tight schedule for the international team from Sudan, Egypt, France and Germany involved in sound and picture post-production.
But the success made up for all the efforts.
Euro Cine Expo 2023 - International Expo of Cine Equipment and Technology
June 30th & July 1st
at Motorworld Munich
I'll be presenting a practical live demonstration of
"Metamerism & Metameric Failure" together with Felix Hüsken AAC BVK CSI and Florian Rettich BVK with support of the ARRI Academy.
Check out the whole seminar program and exhibition.
Congratulations to Tim Kuhn BVK for winning the German Cameraprize 2023
for his work on the Amazon Prime series "LUDEN - Könige der Reeperbahn" -
("The Pimp - No F***ing Fairytale").
It was our first collaboration, but the second Cameraprize for him after winning it for "Breaking Even" in 2021.
The story of the limited mini series revolves around the infamous "Nutella Bande", based on true events in St. Pauli of the early 1980s.
Look development for this HDR show happened already in August 2021 and was an extremely pleasant process. We had a full grading suite including all heads of department from makeup to production design, lighting, directing and producing to talk about HDR and our intended look with strong influences from period films and documentaries.
Beginning of 2015 the most exciting professional challenge in my career started with the request to head the world's first full-time and long-term educational program for color grading.
Since then forty participants joined this unique program and successfully "graduated" from UP.GRADE.
It has been hugely rewarding for me and I feel privileged that I got this chance and met so many talented and dedicated people as participants as well as lecturers.
Being part of it and shaping it was almost too good to be true...
So after four years I decided to step down from heading the program and hand over to my colleague Edmond Laccon. But unfortunately the European fund decided that color grading is "too niche to continue supporting" and the program came to an end in 2019. While the former participants continue to work very successfully in the film and media business, we still receive many requests regarding a future instalment of UP.GRADE. Unfortunately this won't happen any time soon. For the time being you can watch Edmond's visual summary of the program that celebrates its dedication to the art and science of color grading...
workshops / lectures
filmography
consulting / calibration
I work as teacher/trainer since 1999 for various filmschools and institutions...
e.g. ifs Int. Filmschool Cologne, DFFB Berlin, HFF Munich, Film University Babelsberg, FH Mainz, Filmacademy Baden-Württemberg, Berlinale Talents, Beyond Hands on HD Hannover, Hands on xK Munich, Macromedia Cologne, European Film Academy, Den Norske Filmskolen (Norway), Stockholm Academy of Dramatic Arts (Sweden)
After many years of successful workshops together with makeup expert Isabelle Voinier, I joined her as co-author on updating her book about makeup in the times of high definition and digital cinematography. This english version of "ready for FullHD" is available directly from the publishers website... www.voinier.com (recommended) or via Amazon.
Its main goal is information and education for all makeup artists, but I personally can only stress how much valuable information I learned from our workshops while explaining video technology to makeup artists and listening to their approach of tangling skin tones. So I can also recommend this book to all camera and film production people interested in understanding more of the highly technical and complex field of makeup.
upcoming ...
2023/July 1st
"Metamerism & Metameric Failure"
Live presentation and demonstration at the EuroCineExpo in Munich together with Felix Hüsken AAC BVK CSI and the support of the ARRI Academy
2023/ May
"Colorist Workshop India" - online seminar on "The Role of the Colorist" & "The Look"
"Look Development" - presentation at the International Filmschool Cologne (ifs) for cinematography, visual effects and production design students
2023/April
"Digital Cinematography - Part 1+2" - Deutsche Film und Fernsehakademie Berlin, 4-weeks course
2023/March
"High Dynamic Range" - presentation for BVR and BVK
"Visual Media Lab Conference" - presentation/seminar at HdM Stuttgart
2023/February
"Color Grading II" - one week seminar at HFF Munich
"Berlinale Talents Camera Studio" - 1-day workshop supported by ARRI for 12 international cinematography talents.
I presented and demonstrated the phenomenon called metamerism to talk about human visual perception and the pitfalls and benefits of peeking at the world with only three color receptors.
(c) David Ausserhofer for Berlinale Talents
(c) David Ausserhofer for Berlinale Talents
Camera talents matching two different light sources visually via a Gaffer's remote control.
2022/October
"The Digital Image" - 2-day workshop for the International Filmschool Cologne (ifs)
2022/April to June
"Color Grading" - multi-day workshop for the International Filmschool Cologne (ifs);
preparing and mentoring cinematography students while grading their own short films.
2022/March to May
"Color & Studio Workshop" - multi-day workshop at the Norwegian Filmschool for production design and cinematography students including theoretical lectures and practical demonstrations about the interaction of lighting, camera and human perception.
2022/February
"Berlinale Talents" - Camera Studio Online Edition together with Elen Lotman and Christoph Hoffsten
2022/January
"Color Grading for cinematography and VFX students"
2021/November
"Color Grading II" - one week seminar at HFF Munich
2021/October
"Digital Cinematography - Part 1" - Deutsche Film und Fernsehakademie Berlin
2021/September
"Digital Cinematography - Part 4" - Deutsche Film und Fernsehakademie Berlin
2021/March
"Berlinale Talents" - Camera Studio Online Edition
Session with 12 international cinematography talents about "Grading & Look Development"
2021/January
"Color Grading II" - one week seminar at HFF Munich
2020/November
"Digital Cinematography - Part 2" - Deutsche Film und Fernsehakademie Berlin together with DP Birgit Gudjonsdottir
"A Post Lab/Netflix" - 4-day workshop about all things post-production
Commissioned by Netflix and organised by the great people of the Amsterdam Post Lab this very high-level workshop comprised 4 days of 30 to 90-minutes lectures by international guests and Netflix specialists from budgeting to scheduling, sound design and mixing, deliverables, quality control, DIT tasks, VFX and grading.
I contributed with a session about conforming and grading and joined VFX supervisor Dennis Kleyn of Planet-X and Neeltje van der Heijden, freelance post-production supervisior, on a session about the collaboration of these three positions.
2020/June
"Color Grading I" - HFF Munich
2020/May
"Digital Cinematography - Theory/Basics Part 1" - Deutsche Film und Fernsehakademie Berlin
2020/April
"Introduction to Color Grading" - Den Norske Filmskolen, Lillehammer, Norway
2020/February
"Berlinale Talents" - Camera Studio
2020/January
"Color Grading II" - one week seminar at HFF Munich
2019/September
"MENTORING" - an UP.GRADE short course
http://upgrade.dffb.de/index.php?id=70&id=70
2019/July
"TOOLSET" - an UP.GRADE short course
Image (c) Edmond Laccon
2019/April
"IMAGO Teaching Cinematography Conference" in Brussels
Poster presentation on the importance of collaboration between cinematographers and colorists.
2019/February
"Berlinale Talents Camera Studio", 1-day workshop with camera mentors Elen Lotman and Diego Garcia, supported by ARRI and
"Survival Guide: Endangered Images", a 90 min lecture in the public program of Berlinale Talents presented at the HAU 3 theatre together with Niko Remus, freelance post-production supervisor, and Nicholas Goodwin, head of post-production at Constantin Film.
You can re-watch the session on the Berlinale Talents website.
https://www.berlinale-talents.de/bt/program/v/3153
Image © Peter Himsel for Berlinale Talents
2019/January
"Supervised color grading with Davinci Resolve", one week workshop at the HFF Munich for cinematography students grading their own documentary short films
2018/November
"UP.GRADE Seminar - Look Development & Colour Appearance" at the Camerimage Film Festival
I had the great pleasure to co-present a 90 minute lecture in the MCK Orzel cinema alongside
Charles Poynton, that included a live demonstration of metamerism on stage with UP.GRADERS from 2018 "performing" in color-shifting T-shirts...
The left (middle) orange T-shirt and the second most right T-shirt have actually the same color when seen under the same light source.
Image © Marijeta Bucic
Image © Szymon Milner for the Camerimage Festival
Charles Poynton explaining metamerism and other aspects of color appearance.
Image © Szymon Milner for the Camerimage Festival
Thanks to the supporters from ARRI Cinetechnik, DoPchoice, Jeti and Blackfish for supplying the gear for the practical demonstration.
2018/June to 2019/February
UP.GRADE - Colouring tomorrow - fourth round of this intense long-term training programme in the art and science of colour grading. 10 participants from 8 different countries together for 9 months in Berlin...
2018/April-May
"Color Workshop", multi-day workshop at the Norwegian Filmschool for scenography, camera and visual effects students
2018/February
"Berlinale Talents Camera Studio", with camera mentor Rui Pocas
2018/January
"Introduction to color grading with Davinci Resolve", one week workshop at the HFF Munich for cinematography students
2017/November
"UP.GRADE Seminar - Human Vision & Colour Pipelines" at the Camerimage Film Festival
Host for the first official seminar presented during Camerimage.
Lectures by Prof. Andrew Stockman and Amsterdam based colourist and part-time colour scientist Laurens Orij.
2017/September
"Colour Pipeline Recipes for Cinema, HD/UHD, and HDR" with Charles Poynton and Florian Friedrich
2017/June
"Introduction to color grading" - Weekend workshop at Filmhaus Babelsberg
2017/June
"Look on Set" - Workshop for cinematography master students at the Filmuniversity Babelsberg in collaboration with DP Birgit Gudjonsdottir
2017/June till 2018/February
UP.GRADE - Colouring Tomorrow
The world's first long-term postgraduate programme in the art and science of colour grading
10 participants / 8 countries / 9 months at DFFB in Berlin.
2017/March
Imago Conference - Teaching Cinematography at HFF Munich. Conducted a panel discussion on the question whether color grading is a must-learn for future cinematographers and assisted Philippe Ros and Isabelle Voinier on a masterclass workshop about lighting, makeup and workflow.
2017/February
Berlinale Talents - Camera Studio this year in collaboration with the new main sponsor ARRI.
2017/January
One week color grading workshop for cinematography students at the HFF Munich
2016/November
Makeup for cinematography students of the Film Academy Baden-Württemberg
together with Isabelle Voinier
2016/May
Colorist and supporting lecturer for the Digital Cinematography workshop of Olaf Aue and Stefan Beckers at the DFFB for second year camera students
2016/April
Color-Workshop at the Norwegian Filmschool for Production Design, Camera and Digital Visual Design students
2016/February
Berlinale Talents - This year's 'Survival Guide to Digital Workflows' was a presentation about the filmmaking process of Roy Andersson's 'A Pigeon Sat On A Branch Reflecting On Existence'.
Together with Niko Remus, the post-production supervisor, and Gergely Pálos, one of the two cinematographers of the film, we discussed the very special way of Roy Andersson and his team to shoot his films and the intricacies of going digital for the very first time while shooting over 4 years on one film. As special guest Roy Andersson joined us at the end for about 30 minutes of Q&A.
Image © Bettina Ausserhofer for Berlinale Talents
Next to me Christine Tröstrum, then left to right Niko Remus, Andreas Westphal and kneeling Gergely Pálos
Image © Edmond Laccon (www.laccon.net)
Roy Andersson during the Q&A session with the Berlinale Talents
2015/June till 2016/February
UP.GRADE - Colouring Tomorrow
The world's first long-term postgraduate programme in the art and science of colour grading
10 participants / 8 countries / 9 months
Covering colour science, art and film history, grading techniques, restoration, Baselight, Nucoda and Resolve as grading tools; with lecturers like Harald Brendel, Charles Poynton, Stefan Ciupek, Michael Bertl, Florian Rettich, Michelle Carlos, Dado Valentic, Kevin Shaw, Adam Inglis, Peter Doyle and many more.
2015/March
Hands on xK
Presentation about "HDR Display Technology" during the Hands on workshop week at HFF Munich.
2015/February
Berlinale Talents
Together with director of photography Stefan Ciupek we held a lecture about general topics concerning digital cinematography and post-production entitled "The Survival Guide to Digital Workflows". Along the process of picking gear and deciding technical and aesthetic questions for his last feature film work "The Dark Side Of The Moon", we explained the complexity and interdependencies of today's innumerable digital options.
See a recording of the full lecture here.
Image © Chiara Ferrau for Berlinale Talents
Stefan Ciupek and me during the lecture at the HAU3 theatre
Image © Chiara Ferrau for Berlinale Talents
That's me demonstrating how easily our vision can be deceived...
I also assisted and demonstrated on set grading possibilities during a one day masterclass on lighting with DP Franz Lustig and spent a second day explaining and exploring possibilities of color grading with Talents in the professional grading suite of the dffb (German Film and Television Academy Berlin).
Image © Chiara Ferrau for Berlinale Talents
Actress Sabine Wolf, DP Franz Lustig and gaffer Christoph Nickel
Image © David Ausserhofer for Berlinale Talents
Participants of the Camera Studio after my introduction lecture 'digital basics'
Image © Bettina Ausserhofer for Berlinale Talents
Evaluation of the material in the dffb grading suite
Along the workshops I gave a short interview to Michael Guarneri of the Berlinale Talents Press.
http://www.debordements.fr/spip.php?article341
http://www.berlinale-talents.de/story/23/life-behind-the-camera.html#Life Behind the Camera
2015/January
Color grading workshop for cinematography students of HFF filmacademy in Munich. Goal of the 5-day course was to enable the students to successfully grade their own short documentary and fiction films shot in Georgia in late summer 2014.
2014/November
DIT Workshop - co-teaching with Florian Rettich for FOCAL in Zurich
2014/October
Makeup for cinematography students of the Film Academy Baden-Württemberg
together with Isabelle Voinier and Birgit Gudjonsdottir
2014/September
Makeup for students at the Norwegian Filmschool DNF. Isabelle Voinier teaching camera and production design students the very basics of beauty and SFX makeup.
Cinematography and production design students analyising the effect of various high tech makeup products under a particularly difficult lighting and backdrop situation.
Isabelle Voinier talking about and demonstrating special effects makeup to camera students.
2014/April and September
A Clear View - 3rd year of collaborative workshop of European filmschools at dffb and ARRI Berlin.
Participants, trainers and teachers of the last instalment of the Clear View workshop.
2014/August
DaVinci Resolve, 2-day workshop as introduction to the grading software for cinematography students of the Film University Potsdam Babelsberg.
2014/June
Makeup for HD - with Isabelle Voinier at BET in Hamburg (link to the workshop) for professional Makeup artists. Teaching basic technical facts and giving the participants the opportunity to check their work in front of an HD camera on a proper broadcast HD monitor throughout the workshop.
2014/February
Renamed to Berlinale Talents (and not Talent Campus anymore), I was asked again to host the Post Production Studio together with DP Birgit Gudjonsdottir for 20 selected Talents from all over the world.
We shot, edited and graded footage from a variety of digital cameras including the new Red Dragon and Red Epic Monochrome, Canon C500 and Arri Alexa. Along the practical exercises and hands-on for the Talents we did theory lectures about 'Digital Basics', 'File-based Workflow' and our 90 min. masterclass 'The Survival Guide to Digital Workflows'.
Image © Cecile Mella for the Red Dot Agency
Image © Cecile Mella for the Red Dot Agency
Image © Cecile Mella for the Red Dot Agency
Image © Cecile Mella for the Red Dot Agency
2014/January
Introduction to colorgrading - 5 days seminar for camera students of the HFF Munich.
2013/October
'From Colorcorrection to Look' - Introduction to colorgrading for students of all years at the FH Mainz during a week of workshops with external professionals.
2013/September
'A Clear View' - 2nd part of the international workshop with students from the dffb Berlin, FAMU Prague, The London Filmschool, ESCAC Barcelona, UNATC Bucharest.
After the students shot their movies during the summer this time we graded and finished the films.
More information at www.a-clear-view.de
2013/June
'Postproduction Workshop' at the dffb Berlin
As part of the postproduction workshop presented by Stefan Beckers, I joined the cinematography students of the 2nd year to give an introduction to colorgrading in general and specific workflows.
As a central part of this I explained and demonstrated the different colorspaces of 'Rec. 709' for digital broadcast and all HD deliveries, 'P3' for digital cinema packages - todays cinema's release prints and the process of grading with film print emulation Look-Up Tables. This included many 'hands-on' opportunities for the students learning the grading tools.
2013/May
'Colorgrading Workshop' at the HFF Munich
Introduction to colorgrading for students inlcuding the grading and evaluation of test footage previously generated with a wide variety of digital cameras and analog film.
2013/April
'A Clear View' - 2nd edition of the 2-part workshop for participants of various european filmschools hosted by the dffb in Berlin with support from ARRI Berlin.
I presented an introductory lecture about the basics of digital film acquisition and postproduction, leading to a brief demo of the dffb's Nucoda grading system. Other lecturers were Tina Mersmann (Line Producer/Postproduction Supervisor) with a case study about the Michael Hammon film "Gold", Niko Remus (Postproduction Supervisor) speaking about Margarethe von Trotta's film "Hannah Arendt", Patrick Lindenmaier (DP and colorist), Michael Bertl (DP and head of cinematography department at the dffb) and Steffen Paul and Steffen Scheid from ARRI.
Niko Remus presenting the basics of digital film postproduction.
2013/March
'Look-Development' - 3 day seminar with DP Matthias Bolliger at ifs int. filmschool cologne
Participants shot test clips with various digital film cameras that we graded in the school's own DaVinci Resolve grading suite.
DP Matthias Bolliger in front of the 'class' of professionals.
Workshop participants using the LiveGrade tool provided and explained by
Patrick Renner of Pomfort (in foreground right edge).
2013/February
'Berlinale Talent Campus - Postproduction Studio' - Workshop during the Berlinale International Filmfestival
Together with Icelandic/Austrian DP Birgit Gudjonsdottir I was asked to become mentor again for the Campus Studio after 2010 and 2012. This included the preparation of the shooting, selection of hardware and postproduction workflow as well as preparing a ninety minute lecture entitled "The Survival Guide to Digital Workflows".
The kick-off lesson about 'digital basics' for our 20 workshop participants.
Image © Cecile Mella for the Red Dot Agency
Shooting outside the House of World Cultures, Berlin (HKW). Left DP/mentor Birgit Gudjonsdottir, center talent Ama Boamah, right operator/1st AC Olaf Aue. © Cecile Mella for the Red Dot Agency
"The Survival Guide to Digital Workflows" - a lecture as dialogue between set and post, DP and colorist about the technical aspects of dealing with digital images throughout a feature film production. Presented open to the public and talent campus participants at the HAU3.
Image © Cecile Mella for the Red Dot Agency
2013/January
'DI and Image Control' - 2-week-seminar about looks, digital cameras and colorgrading at HFF Munich with DP/professor Axel Block and camera students from Munich and Lisbon, Portugal.
Patrick Renner of Pomfort gives a short introduction and demo to their product LiveGrade on one morning during our workshop.
2012/November
Introduction to colorgrading, theory and practice,
a 2-day-seminar at the ifs international filmschool cologne.
2012/September & April
'A Clear View' - Postproduction workshop for students of five different european filmacademies with a strong focus on workflow and digital colorgrading; hosted by the dffb Berlin.
Participants of filmacademies from Prague, Budapest, Lodz, London and Berlin at ARRI's grading suite in Berlin after a short overview presentation of today's postproduction possibilities.
Bottom right Stefan Beckers (dffb) and Steffen Scheid (ARRI).
2012/July
Training and lecturing at Beyond Hands on HD workshop in Hannover.
Click on the image above to follow a link to Nordmedia's website about the workshop.
Lecture about Colormanagement for some of the postproduction class participants.
French DOP Philippe Ros was showing two shortfilm productions shot with the Sony F65.
Here together with Michael Radeck, head of the Postproduction department, who succeeded
with support from DVS to screen the 4k DCP on a Sony SXRD 4k projector.
I had the pleasure to assist on his presentation by giving an introduction to the IIF/ACES workflow.
2012/May
workshop and masterclass lecture in Porto (http://estaleiro.curtas.pt/agenda?id=42)
click on the image above for a detailed description/essay about the workshop content
and here's a link to a short video about the 3-day-workshop
2012/March
Den Norske Filmskolen, Norwegian film school, Lillehammer, “Colors”, seminar for production design and camera students about visual perception, the use of colors in production design, lighting and colorgrading
2012/February
Berlinale Talent Campus, “Campus Studio”, instructor and lecturer together with DP Stefan Ciupek for a 5-day seminar about digital cinematography and postproduction
2010
HFF Munich, “Look”, 2-week seminar for camera students, lecturer, colorist and co-teacher with DP/Professor Axel Block
HFF Potsdam, „Insight Out“, lecturer casestudy „AntiChrist“ - digital colorgrading
2009
HFF Munich, content creation for the e-learning platform of the HFF Munich about digital postproduction, “Digital Intermediate”
2008
European Film Academy, Masterclass 2008 „Film Editing“ with Hervé Schneid, presentation about the „digital intermediate“ process and colorgrading of participants’ exercise movies
2007/2008
„Hands on HD“, HD-Workshop of nordmedia und BandPro, instructor and lecturer for the stereoscopic 3D and camera master classes
Den Norske Filmskolen, Norwegian film school, Lillehammer, introduction on digital cinematography, „HD-Basics“, „Filmlook“ and „Digital Colorgrading“
ifs int. filmschool cologne, „HD Make-Up workshop“, technical introduction and camera operating
Instructor for HDTV introductory seminar for production managers at ZDF, a German public broadcaster
2005
3-day seminars at the ifs int. filmschool cologne, about digital cinematography principles for directing students
2004
Preparation and instructing on an „HD Seminar“ for the Bundesverband Kamera the German society of cinematographers
Lecture about „Colorspaces in the HD production world“ at a two-day seminar on colorspaces from the IRT, Munich
Instructor about HD cameras and lenses for the WDR, a German public broadcaster
2003/2004
Teacher for “Technology”, a basic course in the three-year bachelor studies for Media Management/TV Producing at Macromedia, Cologne
2001
Instructor about non-linear editingsystems at the ifs int. filmschool cologne
1999 – 2000
Teacher for non-linear editingsystems at Macromedia, Cologne
Please also refer to www.crew-united.com?bio=27545 and www.imdb.com/name/nm1592523.
Following a selection of projects with festival premieres in brackets...
2023
Così Com'è, feature, director Antonello Scarpelli, DP Stefania Bona, grading
Preparations for a Miracle, feature documentary, director/DP Tobias Nölle, grading
Goodbye Julia, feature, director Mohamed Kordofani, DP Pierre de Villiers, grading (Cannes Un Certain Regard 2023, Freedom Prize Winner)
Cuckoo, feature, director Tilman Singer, DP Paul Faltz, grading
Avalanche, video art installation, director Pan Daijing, DP Stefan Ciupek, grading (Musée du Louvre, Paris)
2022
Someday We’ll Tell Each Other Everything, feature, director Emily Atef, DP Armin Dierolf, grading (Berlinale Competition 2023)
Till the End of the Night, feature, director Christoph Hochhäusler, DP Reinhold Vorschneider, grading (Berlinale Competition 2023)
Falling into Place, feature, director Alyin Tezel, DP Julian Krubasik, grading
Holy Shit - Can Poop Save the World?, documentary, director Rubén Abruna, DP Hajo Schomerus, grading
Diamante und sein Bruder, mockumentary, director Georg Nonnenmacher, DP Olaf Hirschberg, grading
Luden - Hamburg Hustle, 6 episode mini series for Amazon, DP Tim Kuhn, final grading (HDR+SDR)
3 Women 1 War, documentary, director Luzia Schmid, consulting DP Hajo Schomerus, grading
Someday We’ll Tell Each Other Everything, feature, director Emily Atef, DP Armin Dierolf, pre-production look development
Cuckoo, feature, director Tilman Singer, DP Paul Faltz, pre-production look development
Alaska, feature, director Max Gleschinski, DP Jean-Pierre Meyer-Gehrke, grading and workflow consultant (Filmfestival Max Ophüls Preis 2023: Best Feature Film Award)
Till the End of the Night, feature, director Christoph Hochhäusler, DP Reinhold Vorschneider, pre-production look development
Bloodlines, video art installation, director Amie Siegel, DP Christine A. Maier, grading
Falling into Place, feature, director Alyin Tezel, DP Julian Krubasik, pre-production look development
Ararat, feature, director Engin Kundag, DP Mikolaj Sygunda, grading (Berlinale Perspektive Deutsches Kino 2023)
The Lost Souls of Syria, documentary, director Stéphane Malterre, grading
2021
AEIOU - Das Schnelle Alphabet der Liebe, feature, director Nicolette Krebitz, DP Reinhold Vorschneider,
pre-production look development and final grading (Berlinale Competition 2022)
Wir sind dann wohl die Angehörigen, feature, director Hans-Christian Schmid, DP Julian Krubasik, grading
Good Neighbor, feature, director Stephan Rick, DP Stefan Ciupek, grading
Asterisms, video art installation, director Amie Siegel, DP Christine A. Maier, grading (Sao Paolo Bienal 2021)
Luden - Hamburg Hustle, 6 episode mini series for Amazon, DP Tim Kuhn, pre-production look development
Sweet Disaster, feature, director Laura Lehmus, DP Anne Bolick, grading (Raindance London 2021)
Marinheiro das Montanhas, documentary/essay, director Karim Ainouz, DP Juan Sarmiento G, grading (Cannes 2021, Special Screening)
Dig Deeper, 4 episode mini series for Netflix, director Nicolas Steiner, DP Julian Krubasik/Markus Nestroy, grading (German Camera Prize 2022, Best Documentary Series)
Memory of Water, feature, director Saara Saarela, DP Kjell Lagerroos, grading
Alice, Through The Looking, feature, director Adam Donen, DP Jason Ellis, grading (Black Nights Tallinn 2021)
Laika & Nemo, stop-motion short, director Jan Gadermann, DPs Vincent Engel, Georg Meyer, grading
Films of Hartmut Bitomsky, Sergei Loznitsa, Thomas Heise and Hannes Schönemann, remastering/grading
Ich bin Sophie Scholl, Instagram story, DP Johannes Louis, look development
Der Russe ist einer der Birken liebt, feature, director Pola Beck, DP Juan Sarmiento G., grading (Munich Filmfestival 2022)
Daughters (Töchter), feature, director Nana Neul, DP Bernhard Keller, grading
The Anger, feature, director Maria Ivanova Z., DP Tommaso Fiorilli, grading
2020
Le Prince, feature, director Lisa Bierwirth, DP Jenny Lou Ziegel, grading
1001 Nights Apart, documentary, director Sarvnaz Alambeigi, DP Mahdi Azadi, grading
Letzter Aufruf BER, TV documentary, director Thomas Balzer, DP Andreas Köhler et. al, grading
My Friend Andro, short, director Katalina Bakradze, DP Kakhi Mrelashvili, grading
Auf Anfang, documentary, director/DP Georg Nonnenmacher, grading (Filmfestival Cologne 2021)
80.000 Schnitzel, documentary, director Hannah Schweier, DP Stefanie Reinhard, grading (Zurich 2020)
Geborgtes Weiss, feature, director Sebastian Ko, DP Andreas Köhler, grading
Rosanazi, short, director Sunniva Kveum, DP Jónína Guðbjörg, grading
Norsk Couscous, short, director Mohamed Chakiri, DP Kim-André Aspen, grading
CamBoy, short, director Ivar Aase, DP Josefine Lundberg, grading
The Man Who Sold His Skin, feature, director Kaouther Ben Hania, DP Christopher Aoun, grading (Venice 2020, Horizons, Award for Best Actor, Nominee Best Intl. Feature - Academy Awards 2021)
Bloodsuckers, feature, director Julian Radlmaier, DP Markus Koob, grading (Berlinale Encounters 2021)
Copilot, feature, director Anne Zohra Berrached, DP Christopher Aoun, grading (Berlinale Panorama 2021)
Nardjes A., documentary, director Karim Ainouz, DP Juan Sarmiento G., grading (Berlinale Panorama 2020)
The Works and Days (of Tayoko Shiojiri in the Shiotani Basin), directors C.W. Winter, Anders Edström,
DP Anders Edström, grading together with Tobias Schaarschmidt (Berlinale Encounters 2020, Main Award)
2019
Lenes Reise, documentary, director Dieter Schumann, DP Thomas Riedelsheimer, grading
Voids, short documentary, director Julian Dieterich, DP Leander Ott, grading
Landretter, documentary, director Gesa Hollerbach, DP Jennifer Günther, grading (DOK Leipzig 2019)
The Disciple, feature, director Chaitanya Tamhane, DP Michal Sobocinski, grading (Venice 2020, Competition, Award for Best Screenplay)
About Endlessness, feature, director Roy Andersson, DP Gergely Palos, grading and workflow consulting (Venice 2019, Silver Lion for best director; Excellence Award of European Film Academy for VFX 2019)
Vivos, documentary, director Ai Weiwei, DP Ai Weiwei et al., grading (Sundance 2020)
The Invisible Life of Euridice Gusmao, feature, director Karim Ainouz, DP Hélène Louvart, grading
(Cannes 2019, Winner Main Prize 'Un Certain Regard'; Golden Camera 300 Award at ICFF “Manaki Brothers”)
Marek Edelman... and There Was Love in the Ghetto, documentary, director Jolanta Dylewska, DP Kuba Kijowski, grading (Hot Docs Toronto 2019; Golden Frog for Best Docudrama, Camerimage 2019)
2018
Ein Wochenende im August, TV feature, director Esther Gronenborn, DP Birgit Gudjonsdottir
Sag Du es mir, TV feature, director Michael Fetter Nathansky, DP Leander Ott, grading (Winner "Filmkunstpreis des 15. Festival des deutschen Films" Ludwigshafen 2019)
Was gewesen wäre, feature, director Florian Koerner von Gustorf, DP Reinhold Vorschneider, grading
Die Galoschen des Glücks, TV feature, director Friederike Jehn, DP Philipp Sichler, grading
Ich war zuhause, aber..., feature, director Angela Schanelec, DP Ivan Markovic, grading (Berlinale 2019, Competition, Silver Bear for best director)
Die Rüden, feature, director Connie Walther, DP Birgit Gudjonsdottir, grading supervision (Hof 2019)
Lazzaro Felice, feature, director Alice Rohrwacher, DP Hélène Louvart, grading (Cannes 2018, Competition, Winner Best Screenplay)
>> Link to an interview with DP Hélène Louvart about Lazzaro Felice <<
The Invisible Hand, 360° video art installation, director Omer Fast, DP Stefan Ciupek, workflow consultant
2017
DUST, feature, director Udita Bhargava, DP Philipp Meise, grading (Berlinale 2019, Perspektive)
Kindsein - Ich sehe was, was Du nicht siehst, documentary, director/DP Lilian Nix, grading (Max Ophüls 2018)
Fremder Feind, feature, director Rick Ostermann, DP Leah Striker, grading (Venice Film Festival 2017)
Global Family, documentary, director Andreas Köhler/Melanie Andernach, DP Andreas Köhler, grading (Max Ophüls 2018)
1000 Arten Regen zu beschreiben, feature, director Isabel Prahl, DP Andreas Köhler, grading (Tallinn Black Nights 2017, Max Ophüls 2018)
Bright Nights, feature, director Thomas Arslan, DP Reinhold Vorschneider, grading (Berlinale 2017, Competition, Silver Bear for Best Actor)
2016
Ana, Mon Amour, feature, director Calin Peter Netzer, DP Andrei Butica, grading (Berlinale 2017, Competition, Silver Bear for Best Editing)
Una Mujer Fantastica, feature, director Sebastián Lelio, DP Benjamin Echazarreta, grading (Berlinale 2017, Competition, Silver Bear for Best Script, Academy Award for Best Foreign Language Film, Oscars 2018)
The Colour of Yearning, documentary, director/DP Thomas Riedelsheimer, grading
Fetish, art installation video, director Amie Siegel, DP Christine A. Maier, grading
Mustang, short, director Jon Carlstedt, DP Catharina Wandrup, grading
The Dreamlike Path, feature, director Angela Schanelec, DP Reinhold Vorschneider, grading (Locarno 2016)
The Burglar, feature, director Hagar Ben-Asher, DP Amit Yasur, grading
2015
Quarry, art installation video, director Amie Siegel, DP Christine A. Maier, grading
Double Negative, art installation video, director Amie Siegel, DP Christine A. Maier, grading
Sebastian Wants to Remember, short, director Vasant Nath, DP Saumyananda Sahi, grading
Elisa, short, director Kristina Shtubert, DP Nicola Hens, grading
Schwester Weiss, feature, director Dennis Todorovic, DP Andreas Köhler, grading
Ich bin June, short, director Kristin Mudra, DP Rosa Johanna Gruner, grading
Hördur, feature, director Ekrem Ergün, DP Eric Ferranti, grading
2014
LIFE, feature, director Anton Corbijn, DP Charlotte Bruus Christensen, grading (Berlinale 2015)
BOY7, feature, director Özgür Yildirim, DP Matthias Bolliger, grading
Wild, feature, director Nicolette Krebitz, DP Reinhold Vorschneider, grading (Dt. Kamerapreis 2015)
Wir Monster, feature, director Sebastian Ko, DP Andreas Köhler, grading
A Pigeon Sat on a Branch Reflecting on Existence, feature, director Roy Andersson, grading (Venice 2014, Winner Golden Lion)
A Hitman's Solitude Before the Shot, feature, director Florian Mischa Böder, DP Matteo Cocco, grading
Die Lügen der Sieger, feature, director Christoph Hochhäusler, DP Reinhold Vorschneider, grading
Das Zimmermädchen Lynn, feature, director Ingo Haeb, DP Sophie Maintigneux, grading
Court, feature, director Chaitanya Tamhane, DP Mrinal Desai, grading (Venice 2014, Winner Horizons)
Carrom, short, director Udita Bhargava, DP David Schittek, grading
Make Me Happy Cookies, stop-motion short, director/DP Sabine Wolf, grading
2013
Berge im Kopf, documentary, director Matthias Affolter, DP Jonas Jäggy, grading
Über-ich und Du, feature, director Benjamin Heisenberg, DP Reinhold Vorschneider, grading
Nutak, documentary, director/producer Sarah Sandring, DP Rohan Chitrakar, grading
Blue Desert, feature, director Eder Jose Santos Jr., DP Pedro Farkas/Stefan Ciupek, grading
Achtung, Fertig, WK, feature, director Oliver Rihs, DP Sten Mende, grading
Der Bau, feature, director Jochen Alexander Freydank, DP Egon Werdin, grading
Die Frau des Polizisten, feature, director/DP Philip Gröning, grading (Venice 2013, Special Jury Award)
Giraffada, feature, director Rani Massalha, DP Manuel Teran, grading
Zum Geburtstag, feature, director Denis Dercourt, DP Matteo Cocco, grading
2012
Lost Place (3D), feature, director Thorsten Klein, DP Xiaosu Han/Andreas Thalhammer, grading
Sonnwende, feature, director Judith Angerbauer/Bernhard Landen, DP Torsten Lippstock, grading
&ME, feature, director Norbert ter Hall, DP Richard Van Oosterhout, grading
Schnee von Gestern, documentary, director Yael Reuveny, DP Andreas Köhler, grading
Hannah Arendt, feature, director Margarethe von Trotta, DP Caroline Champetier, grading
DREDD (3D), feature, director Pete Travis, DP Anthony Dod Mantle, addtional colorist
2011
Eine Insel namens Udo, feature, director Markus Sehr, DP Daniela Knapp, grading
Peak, feature, documentary, director Hannes Lang, DP Hajo Schomerus, grading
Magic Silver (3D), feature, director Arne Lindtner Naess, DP Kjell Vassdal, grading
Mark Lombardi, documentary, director Mareike Wegener, DP Sophie Maintigneux, grading
Joe McCarthy – The Real American, feature, director Lutz Hachmeister, DP Hajo Schomerus, grading
Beirut Hotel, feature, director Danielle Arbid, DP Pierric Gantelmi d’Ille, grading
DREDD (3D), feature, director Pete Travis, DP Anthony Dod Mantle, 3D dailies and workflow consulting
2010
Don Quixote (3D), feature, director Agan, DP Chan Chor-Keung, grading and consulting
The City Below, feature, director Christoph Hochhäusler, DP Bernhard Keller, grading
Takiye, feature, director Ben Verbong, DP Axel Block, grading
StreetDance (3D), feature, director Dania Pasquini und Max Giwa, DP Sam McCurdy, additional colorist
2009
Sascha, feature, director Dennis Todorovic, DP Andreas Köhler, grading
Im Haus meines Vaters, feature, documentary, director/DP Hajo Schomerus, grading
AntiChrist, feature, director Lars von Trier, DP Anthony Dod Mantle, grading together with Stefan Ciupek
Spielverderber, feature, documentary, director/DP Henning Drechsler, Georg Nonnenmacher, grading
2008
Diamantenhochzeit, feature, director Michael Kupczyk, DP Ergun Cankaya, grading
AntiChrist, feature, director Lars von Trier, DP Anthony Dod Mantle, Workflowconsulting, dailies grading
Snow (Snijeg), feature, director Aida Begic, DP Erol Zubcevic, grading
2007
Armageddon, 2x 45 min. ZDF/Discovery Channel, HD, grading
No Network, feature, director Ari Kristinsson, DP Kjell Vassdal, grading
2006
Mission X, 4x 45 min. Arte/ZDF, grading
Wortbrot, feature, director Estelle Klawitter, DP Mathias Prause, grading
2005
HD-Supervisor for various commercial and music video productions in Buenos Aires, Argentina
Fremder Bruder, graduation film 70. min, director Robert Steudtner, DP Sebastian Woithe, grading
CMA, TV commercial, DP and grading
2004
Triell, short movie, director Su Turhan, DP Michael Ballhaus
Split, short movie, director Alexander Tavakoli, DP Christof Oefelein, … both HD (FilmStream), technical operator for camera and recording
Robinson, commercial for the German environmental ministry, HD, DP and grading
2003
NAB 2003 Promotion Video Thomson Multimedia, HD (FilmStream), DP Bill Bennett and others, operator for recording
Stereoscopic 3D testshoot in HD for the NFL, USA, consulting and df-operator
2002
Wegweiser, commercial, world's first commercial production with Thomson's Viper and P+S Technik's Pro35 adapter prototype, recorded uncompressed to a director's friend harddisk recorder (in RGB 4:4:4), Post-production Supervisor
2001
Russian Ark, feature, director Alexander Sokurov, DP Tilman Büttner, HD, product development and technical operator for the recording
1999
Der Auftrag, short movie, Betacam SP, DP/editing/VFX
The Andalousian Dog – Millennium Edition, short movie, DV, DP
Star Wars Road Movie, TV documentary, DV, DP
Väterkampagne, 2 commercials, 35mm and DV, DP
1998
Fata Morgana, commercial, 35mm, clapper/loader
Mixery, various commercials, 16mm, 2nd unit camera
1997
DARK, feature, Betacam SP/Mini DV, camera/VFX (screenings at Fantasy Filmfest Germany 1998, Fantasy Filmfest Brussels, Filmfest Lünen, Exground Festival Weiterstadt)
As a colorist I always have to trust the display I'm working with. With an increasing number of display technologies ever since the vanishing of professional CRT monitors, this has become more difficult.
So I invested time and money to learn about color management, calibration and all kinds of display technologies being it displays or projectors. I felt the better I understand the technology and science, the more I can rely on it and also consult my clients and offer calibration services if needed.
For verifying image workflows I strongly believe in the use of test charts and putting them through all encoding and decoding steps that the real footage has to pass through. I've been building my own charts for my purposes for many years and you are welcome to use the ones below or send me an email to get a version as uncompressed 10bit DPX file with a short guide as PDF.
click on the image for full resolution JPEG file or send me an email for the uncompressed 10bit DPX version
click on the image for full resolution TIF